Author Archives: emilycchoate

I was so grateful to review Maggie Shipstead’s new book, Great Circle, for Chapter 16. I love this expansive, adventurous novel, and I hope it finds oceans of readers. My review’s up at Chapter 16 today.

I couldn’t be more excited to share that a piece of my short fiction, “The Mouth on Her,” appears today in the new issue of the Rappahannock Review. I’ve got a special affection for this story, and she looks pleased … Continue reading →

I’m so pleased that I was able to review Anjali Enjeti’s debut novel, The Parted Earth, for Chapter 16. This novel ranges over decades as it portrays the traumatic legacy that millions of people endured during and after India’s Partition … Continue reading →

For my latest Chapter 16 review, I wrote about Natalie Standiford’s novel, Astrid Sees All. Set in the storied Manhattan art and club scene of the early 1980s, this novel follows an intense friendship between two young women whose desire … Continue reading →

I’m happy to share my review of J. Nicole Jones’ debut memoir, Low Country, for Chapter 16. Though on the face of it, Jones’ subject matter—a troubled chain of family dynamics set amid a story-rich background of Southern landscape and … Continue reading →

I’m grateful that I had the chance to review Richard Schweid’s new book, The Caring Class, which gives a thoughtful look at the myriad challenges faced by those who work as home health aides–a crucial job in our culture. Note … Continue reading →

Last week, the ever-estimable Chapter 16 published my latest review, this time focused on The Uncollected Stories of Allan Gurganus. This was not an uncomplicated review to write, and I’m grateful to Chapter 16 for the chance to share my … Continue reading →

I’m pleased to share a review of mine that was published recently, both at Chapter 16 and Nashville Scene. Unlikely Angel, written by musicologist Lydia Hamessley, offers a crucial contribution to the slew of recent books and other media coverage … Continue reading →

Women composers have been absurdly undervalued. So I am especially pleased to share this piece I wrote earlier in the year, as part of a series I write for Peauxdunque Review on overlooked albums. This blended essay focuses on “Music … Continue reading →

I couldn’t be prouder to write for Chapter 16, which offers daily book coverage of the literary landscape of Tennessee. Its model is a genuine innovation. Now, The New Yorker has picked up on how special a publication it really … Continue reading →